Одну секунду
Что-то сучилось. Попробуйте еще раз.
Shadow maps смотреть последние обновления за сегодня на .
Interactive Computer Graphics. School of Computing, University of Utah. Full Playlist: 🤍 Course website: 🤍
In this video we learn a basic technique to add shadows to the 3D scene. Timecodes 00:00 Intro 00:16 Spot light example 01:24 Characterizing the shadowed pixels 02:03 The shadow test 02:27 Shadow mapping 04:59 Perspective division 06:00 Shadow test example 06:21 The ShadowMapFBO class 08:00 The shadow pass 10:23 Testing the shadow pass 11:00 The lighting pass 16:25 Conclusion Make sure to watch all the previous tutorials in the "OpenGL For Beginners" playlist at 🤍 Please visit 🤍 to see more of my tutorials on modern OpenGL. Link to source: 🤍 More info: My shadow mapping tutorials: 🤍 🤍 Shadow mapping tutorial by Joey de Vries: 🤍 Intro on ApiTrace: 🤍 OpenGL 4.6 specification: 🤍 Feel free to comment below. Email: ogldev1🤍gmail.com Github: 🤍 Twitter: 🤍ogldev One time donations (Paypal): 🤍 Patreon: 🤍 Credits: Music: "Black Hole" by Creator Mix (🤍 Models: "Ordinary House" by tastyfish (🤍 🤍 Enjoy, Etay Meiri #opengl #ogldev #opengtutorials
👍 261 👎 8 🟦🟦🟦🟦🟦🟦🟦🟦🟦🟥 Last updated on 27/Jan/2023 at 13:41 UTC In this tutorial I'll show you what shadow maps are and how you can implement them in your scenes with directional lights! - Source Code - 🤍 - OpenGL Documentation - 🤍 - Discord Server - 🤍 - Patreon - 🤍 - Timestamps- 0:00 Introduction & Theory 1:10 Shadow Map Framebuffer 1:45 Light Matrices 3:03 Shadow Map Shaders 3:21 Shadow Map Program 3:31 Shadow Map Rendering 3:48 Shadow Map Debugging 3:58 Normal Scene Rendering 4:14 Modifying the Default Vertex Shader 4:24 Modifying the Default Fragment Shader 5:19 Shadow Acne 6:23 Softening the Shadows 6:43 Discord & Patreon - References - 🤍 #opengl #opengltutorial #computergraphics #cpp #visualstudio #3dgraphics #shadows
6.837: Introduction to Computer Graphics Autumn 2020 Many slides courtesy past instructors of 6.837, notably Fredo Durand and Barbara Cutler.
This video is part of an online course, Interactive 3D Graphics. Check out the course here: 🤍
Patreon ► 🤍 Twitter ► 🤍 Instagram ► 🤍 Live Stream ► 🤍 Discord ► 🤍 Roadmap ► 🤍 #Hazel
LWJGL tutorial series on how to create a 3D Java game with OpenGL! Delving into shadow mapping this week! Watch the FBO tutorial: 🤍 Download the shadows package: 🤍 Projection matrix code: 🤍 Screenshot hints: 🤍 Support the series on Patreon: 🤍 Upcoming tutorials: - Shadows - Post processing - Geometry shader Future Tutorial Series: - Game Audio - Multiplayer - Advanced Game Dev Concepts - OpenGL Optimizing Techniques Previous tutorial topics: - Display - VAOs and VBOs - Rendering a quad - Rendering using glDrawElements - Shader introduction - Coloring using shaders - Texturing - Matrices, moving and rotating - Loading 3D OBJ models - Lighting I - Lighting II - Optimizations - Transparency - Fog - Multitexturing - Player Movement - 3rd Person Camera - Mipmapping - Terrain Generation - Terrain Collision Detection - Texture Atlases - GUIs/HUDs - Multiple Light sources - Point light attenuation - Skybox - Day/Night - 3D Mouse Picking - Water - Cel Shading - Normal Mapping - Rendering Text - Signed Distance Field Fonts - Particle Effects - Random Terrain Generation - Shadow Mapping Tumblr: 🤍 Facebook Page: 🤍 Instagram: 🤍 Twitter: 🤍 Check out my game on IndieDB: 🤍 Contact me: thinmatrix🤍gmail.com End of video music- Kai Engel, "Waking Stars": 🤍
Follow me on: Patreon: 🤍 Twitter: 🤍 Instagram: 🤍 Github: 🤍 Three JS shadows are really easy to use and enable. In this project we'll explore the different shadow types available in three js, which lights support shadowmapping, and we'll step through the code in JavaScript to add them to a scene. We'll walk through setup at the WebGLRenderer level, choosing the type of shadowing that three js will use, before looking at individual lights, and other options like setting individual mesh instances to cast or receive shadows optionally. This is part in a series of tutorials on Three.js, aimed at helping beginners understand everything from the ground up. This is a beginners course, aimed at people with no background in the subject. We've covered simple setup and basic 3d worlds, and this project should give you a solid understanding of three.js shadow capabilities. The three.js library is available in JavaScript for cross-browser 3d graphics, wrapping webgl and making high level functionality available in the web browser. It’s an extremely mature and well maintained library that I use for many of these videos. In the video, we cover: * What is shadow mapping, how does it work from a conceptual point of view. * What lights in three js support shadows and which don't. * Mesh shadow configuration. * Breakdown of the shadow types, including BasicShadowMap, PCFShadowMap, PCFSoftShadowMap, and VSMShadowMap * Using castShadow and shadow camera on DirectionalLight, PointLight, SpotLight * How to instantiate and use each in JavaScript. PCF: 🤍 VSM: 🤍
Code samples derived from work by Joey de Vries, 🤍joeydevries, author of 🤍 All code samples, unless explicitly stated otherwise, are licensed under the terms of the CC BY-NC 4.0 license as published by Creative Commons, either version 4 of the License, or (at your option) any later version.
Devlog video about "Homegrown", a casual farming game I'm creating using my own engine. Support the channel on Patreon and get access to the code for this game, the city-builder, and Equilinox: 🤍 My previous game "Equilinox": 🤍 You can follow the progress of the game on my social media: Twitter: 🤍 Instagram: 🤍 Facebook: 🤍 Trello: 🤍 Email: thinmatrix🤍gmail.com Background music by Jamal Green: 🤍 #devlog #Homegrown
Unfortunately I didn't go into too much technical detail. If you're looking for implementation details, there are some links below. Enjoy! Created for GPH 389: Real-Time Graphics Techniques at DePaul University. 🤍 🤍 🤍
Unreal Engine 5 Virtual Shadow Maps,ue5 new features,ue5 shadow maps,ue5 vsm,ue5 virtual shadow,Unreal Engine 5 Tutorial,how to ue5 virtual shadow,what is virtual shadow maps ue5,unreal engine 5 tutorial for beginners,migrate unreal engine 5,ue5 download,unreal engine 5 download,unreal engine 5 early access,unreal engine 5 react video,ue5 reaction video,unreal engine 5 rtx 3090 benchmark,rtx 3090 vs unreal engine 5,ue5 rtx 3090 demo,jsfilmz,download ue5,download unreal engine 5 early access,ue5 valley of the ancient,valley of the ancient ue5,valley of the ancient demo ue5,jsfilmz #ue5 #rtx3090 #unrealengine5 #valleyoftheancient #jsfilmz Buy my courses Unreal Engine 4 Lessons to support my Channel! Sellfy Link: 🤍 Buy my course Udemy Link: UE4 for Filmmaking Beginners Edition 🤍 Create a movie in Unreal Engine 4 using Metahuman 🤍 Buy my course from Artstation 🤍 How to make a movie in Unreal Engine 5 Beginners Edition Sellfy Link: 🤍 How to make a movie in Unreal Engine 5 Beginners Edition Artstation Link: 🤍 Udemy Link 🤍 Check out My Linktree for more:🤍
Audible free book: 🤍 The latest film of our series on graphics sees John Chapman turning the lights off to explain how we decide if a pixel is in light or shade... John Chapman is a graphics programmer who blogs here: 🤍 Graphics series with John Chapman: 🤍 1/ Universe of Triangles : 🤍 2/ Power of the Matrix : 🤍 3/ Triangles to Pixels : 🤍 4/ Visibility Problem : 🤍 5/ Light and Shade in Computer Graphics: 🤍 🤍 🤍 This video was filmed and edited by Sean Riley. Computerphile is a sister project to Brady Haran's Numberphile. See the full list of Brady's video projects at: 🤍
BTS (방탄소년단) MAP OF THE SOUL : 7 'Interlude : Shadow' Comeback Trailer Credits: Director : Oui Kim (OUI) Assistant Director : Sangwoo Park Producer : Yeonjin Kim (OUI) Production Assistant : Mirae Woo, Gibeop Nam, Donghun Jun, Yoo Jun Director of Photography : EumKo Focus Puller : Deokjung Kim 2nd AC : Youngwoo Lee, Eunil Lee 3rd AC : Yuntae Ko Jimmy jib : Dongjin Lee Jimmy jib Assistant : Kitae Kim, Seokchan Lee Phantom Operator : Sangrin Choi Robot Arm : 54st MCC : 54st Key Grip : Namkwon Lee Best boy : Sungeun Kim Grip : Jaegeun Han Gaffer : Seungnam Yoon Lighting Crew : Hyuk Park , Seongil Lee, Inkuk Hong, Mincheol Kim, Hwayong Chung Show Light : Sunggang Jeon, Junsu Lee, Youngsook Jeon, Myeongjun Lee, Seungsu Woo (Jshow company) Art Director : Jinsil Park, Bona Kim (MU’E) Assistant Art Team : Hongyee Kim Art Producer : Ilho Heo VFX : Second Floor 2D Animator : Bitna Yoon (OUI) Visual Creative : Nu Kim, Sabinne Cheon, Lee Sun Kyoung, Kim Ga Eun, Lee Min Gyu Artist Management : Kim Shin Gyu, Kim Dae Young Artwork inspired by Svayambhu(2007) by Anish Kapoor Big Hit Entertainment. Rights are reserved selectively in the video. Unauthorized reproduction is a violation of applicable laws. Manufactured by Big Hit Entertainment, Seoul, Korea Connect with BTS: 🤍 🤍 🤍 🤍 🤍 🤍 🤍 #BTS #방탄소년단 #Shadow #MAP_OF_THE_SOUL_7 #Trailer #SUGA
Apologies for the mic volume; didn't notice until it finished rendering :P The source code for the Cascade Solver: 🤍 My Vulkan renderer project: 🤍 The shadowmaps are not filtered. This is partly because I wanted to showcase the resolution changes at different distances, and the shimmering effect... it's also because I haven't finished that yet.
The usual RSM is first dithered using Cranley-Patterson rotation with a per-pixel dither mask (blue noise here), then filtered using edge-aware a-trous filter.
An Explanation of Virtual Shadow Maps and Why they are causing serious performance hits in your Scene. Join Our Discord: 🤍 0:00 Intro 1:00 ProfileGPU 1:41 Non-Nanite Rendering 2:22 What Is Rasterize? 4:04 Why UE5.1 Will Support Foliage 6:36 Performance Comparison VSM vs No-VSM 7:42 Outro
In this video we continue our journey with Shadow Mapping and we learn how to use Orthographic Projection in order to implement shadows with a directional light. Watch the previous tutorial for background on Shadow Mapping: 🤍 Timecodes 00:00 Intro 00:23 Recap and background 01:36 Directional light VS spot light 02:15 Orthographic Projection background 03:41 Orthographic Projection matrix 05:18 Mapping the view volume to NDC 07:01 Creating the matrix 07:50 Right handed VS left handed system 08:08 Matrix code review 08:31 Testing Orthographic Projection 08:55 Changes to the main application code 10:06 Changes the lighting fragment shader 10:23 Conclusion Make sure to watch all the previous tutorials in the "OpenGL For Beginners" playlist at 🤍 Please visit 🤍 to see more of my tutorials on modern OpenGL. Link to source: 🤍 OpenGL 4.6 specification: 🤍 Feel free to comment below. Email: ogldev1🤍gmail.com Github: 🤍 Twitter: 🤍ogldev One time donations (Paypal): 🤍 Patreon: 🤍 Credits: Model by TastyFish (🤍 Sun Image by OpenClipart-Vectors from Pixabay CAD images: * 🤍 * 🤍 * 🤍 Music: "Dream Avenue" by CreatorMix (🤍 Enjoy, Etay Meiri #opengl #ogldev #opengtutorials
In this video we take a look at five techniques to reduce the effect of several known problems in shadow mapping such as shadow acne, peter panning and more. Timecodes 0:00 Intro 0:24 Solution #1: Flexible bias 3:26 Solution #2: Reverse face culling 4:43 Solution #3: Slope scale depth bias 6:51 Solution #4: Clamp to border 8:18 Solution #5: Tight light projection frustum More info on shadow mapping problems can be found in: * LearnOpenGL.com by Joey de Vries: 🤍 * "Common Techniques to Improve Shadow Depth Maps" by Microsoft: 🤍 Make sure to watch all the previous tutorials in the "OpenGL For Beginners" playlist at 🤍 Please visit 🤍 to see more of my tutorials on modern OpenGL. Link to source: 🤍 If you want to get the same version that was used in the video then checkout the tag TUT_38_SHADOW_MAPPING_UNLEASHED. OpenGL 4.6 specification: 🤍 Feel free to comment below. Email: ogldev1🤍gmail.com Github: 🤍 Twitter: 🤍ogldev One time donations (Paypal): 🤍 Patreon: 🤍 Enjoy, Etay Meiri #opengl #ogldev #opengtutorials
👍 130 👎 7 🟦🟦🟦🟦🟦🟦🟦🟦🟦🟥 Last updated on 27/Jan/2023 at 13:41 UTC In this tutorial I'll show you what shadow maps are and how you can implement them in your scenes with spotlights and point lights! - Source Code - 🤍 - OpenGL Documentation - 🤍 - Discord Server - 🤍 - Patreon - 🤍 - Timestamps- 0:00 Introduction 0:15 Spotlight Shadow Map 0:52 Point Light Shadow Map Trick 1:11 Framebuffer and Cubemap 1:21 Matrix Transformations 1:42 Shadow Map Shaders 2:25 Drawing Phase 2:36 Shadow Algorithm 3:19 Results & Ending - References - 🤍 🤍 #opengl #opengltutorial #computergraphics #cpp #visualstudio #3dgraphics #shadows
Shadow map tutorial for GTA 5 / FiveM using Blender 3.3 Notes: !! Use Blender 3.3 !! (doesn't work on newer versions of Blender since the shadow render pass has been removed) - You can use "shrink/fatten" in edit mode instead of scaling down the geometry (depends on your geometry) - After the first bake, you can delete all of the unnecessary faces, unwrap again, and rebake to improve your texture - if you need shadows on surfaces (like the tennis table) just create a new plane on top of the surface in the shadowmap geometry, and unwrap it with the rest of the faces. - You can use UV packer free addon to unwrap, it gives good results sometimes : 🤍uv-packer.com/blender/
Code samples derived from work by Joey de Vries, 🤍joeydevries, author of 🤍 All code samples, unless explicitly stated otherwise, are licensed under the terms of the CC BY-NC 4.0 license as published by Creative Commons, either version 4 of the License, or (at your option) any later version.
Thought I would do an update on that video to show the performance comparison with and without Nanite foliage between 5.0.3 and 5.1 for you guys.
Conventional shadow mapping relies on uniform sampling for producing hard shadow in an efficient manner. This approach trades image quality in favor of efficiency. A number of approaches improve upon shadow mapping by combining multiple shadow maps or using complex data structures to produce shadow maps with multiple resolutions. By sacrificing some performance, these adaptive methods produce shadows that closely match ground truth. This paper introduces Rectilinear Texture Warping (RTW) for efficiently generating adaptive shadow maps. RTW images combine the advantages of conventional shadow mapping - a single shadow map, quick construction, and constant time pixel shadow tests, with the primary advantage of adaptive techniques - shadow map resolutions which more closely match those requested by output images. RTW images consist of a conventional texture paired with two 1-D warping maps that form a rectilinear grid defining the variation in sampling rate. The quality of shadows produced with RTW shadow maps of standard resolutions, i.e. 2,048×2,048 texture for 1080p output images, approaches that of raytraced results while low overhead permits rendering at hundreds of frames per second. Sample software available at 🤍
Interactive Computer Graphics. School of Computing, University of Utah. Full Playlist: 🤍 Course website: 🤍 Cem Yuksel, “Point Light Attenuation Without Singularity,” ACM SIGGRAPH 2020 Talks, 2020. 🤍 🤍 Eric Heitz, Jonathan Dupuy, Stephen Hill, and David Neubelt. 2016. Real-time polygonal-light shading with linearly transformed cosines. ACM Trans. Graph. (SIGGRAPH 2016) 35, 4, Article 41 (July 2016), 8 pages. 🤍 Marc Stamminger and George Drettakis. 2002. Perspective shadow maps. ACM Trans. Graph. 21, 3 (July 2002), 557–562. 🤍 Simon Kozlov, Perspective Shadow Maps: Care and Feeding, GPU Gems, 2004. 🤍 Eric Heitz, Stephen Hill, and Morgan McGuire. 2018. Combining analytic direct illumination and stochastic shadows. In Proceedings of I3D '18. 🤍
In this video we will explore two techniques for creating soft shadows in OpenGL - Percentage Closer Filtering (PCF) and Soft Shadow Edges with Random Sampling. Time codes: 0:00 Intro 0:29 Percentage Closer Filtering 4:32 Configurable sized filter 5:31 PCF deficiencies 6:08 Soft Shadow Edges with Random Filtering 15:32 Conclusion Dragon model available from: 🤍 Article by Yury Uralsky on soft shadows with random sampling: 🤍 Make sure to watch all the previous tutorials in the "OpenGL For Beginners" playlist at 🤍 Please visit 🤍 to see more of my tutorials on modern OpenGL. Link to source: 🤍 If you want to get the same version that was used in the video checkout the tag TUT_41_SOFT_SHADOWS. OpenGL 4.6 specification: 🤍 Feel free to comment below. Email: ogldev1🤍gmail.com Instagram: 🤍ogldev1 GIthub: 🤍 Twitter: 🤍ogldev One time donations (Paypal): 🤍 Patreon: 🤍 Credits: * Sound effects and music obtained from 🤍 * Image by 13smok from Pixabay * Image by Clker-Free-Vector-Images from Pixabay Enjoy, Etay Meiri #opengl #ogldev #opengtutorials
In this Unreal Engine tutorial, I'll show you how one simple console command can drastically improve the performance of Virtual Shadow Maps in foliage-heavy landscapes. Plus, I'll show you an additional tip for removing the shadows from distant grass to further improve your FPS. The article on Virtual Shadow Maps can be found at 🤍 The two console commands I use are: r.Shadow.Virtual.NonNanite.IncludeInCoarsePages 0 r.Shadow.Virtual.UseFarShadowCulling 0
This video looks at how to set up Virtual Shadow Maps in UE5. We compare the newer Virtual Shadow Maps and older Shadow Maps. Besides shadow quality, we also look at how they influence Sub-Surface Scattering on cloth in the Lumen render engine, and we share two Unreal Engine 5 navigation tips. ♣ Discord: 🤍 ♣ Our Website: 🤍 ♣ Instagram: 🤍 ♣ Twitter: 🤍 _Newman iMotion Crew_ Presenter & Rough Cut: Daniel Newman Camera, Sound & Editor: Paul Newman _Special Thanks_ ♥ Unreal Engine: 🤍 ♥ Marvelous Designer: 🤍 ♥ Blender: 🤍 _Extra Credit_ Spacecraft & Aircraft models: Hans de Ridder 🤍 _Music Credits_ Lounge Logo: 🤍 #UnrealEngine #UE5 #Lumen #Quixel #QuixelBridge #Shadow #Animation #3D #3DAnimation #VirtualFilm #VirtualProduction
The central point where the ceiling light source rays hit the floor is utilized, in order to map the cast shadows in the perspective drawing, beginning with the Simple Box Form drawing. These generalized shadow shapes are then carried over to the Detailed Line Drawing and are filled in with hatching and a 0.1 Pigment Liner.
A small experiment of filtering high resolution Reflective Shadow Maps (RSM) for real time global illumination. This reduces flickering when there is high variance in the geometry.
HI! Here I want to share with you what I found out the last several days testing UE5. I came across exciting optimizations (at least to me) and advanced settings for lumen, lumen reflections and virtual shadow maps, which help troubleshooting issues or weaknesses I experienced so far, and can even improve the overall quality of these features. I apologize for my poor english skills (and also deeply for the clipping sometimes, it really hurts my soul, but I just wanted to put this out so it is available as soon as possible). I hope you are still able to understand everything I want to share and at least find it helpful for your needs of experimentation. If anything might not be clear to you, I will gladly try to answer your questions in the comments, as far as I know/understand this stuff myself. Please note again: I am NOT a professional tutor or Unreal Developer! I do not even make tutorials in general. Everything I explain in this video is based on experimentation, combined with assumptions made of only some background knowledge about the whole lighting topic. Added console commands to one user's suggestion: Virtual Shadow Maps: r.Shadow.Virtual.ContactShadowLength - controls precision of contactShadows to the casting object. Set it to 0.01 for example, or lower. r.Shadow.Virtual.ResolutionLodBias - controls smoothing of virtualShadows based on distance. Be careful to select the right option according to your light-type. 0 or negative values for wider smoothing range. r.Shadow.Virtual.NormalBias - use this to fix virtual shadow artifacts which appear when the casting shadow is to close to casting object's surface. Set it to 1 or even higher values like 1.5. Default should be 0.5. Lumen Reflections: r.Lumen.Reflections.HierachicalScreenTraces.MaxIterations - reduce this to low values to get rid of unrealistic dark areas (shadows?) in lumen reflections. Set it to 4 for example. r.Lumen.DiffuseIndirect.MaxMeshSDFTraceDistance - seems to control the distance to which distance field meshes are taken into account, affecting basically the mesh clarity/resolution range in lumen reflections. Lumen Global Illumination: r.Lumen.DiffuseIndirect.MinTraceDistance - increase this if you find nearby areas from light reflecting surfaces to be to dark (very subtle). r.Lumen.ScreenProbeGather.MaxRayIntensity - values between 0 and 1. Controls the overall amount of indirect lighting intensity in the whole scene. r.Lumen.ScreenProbeGather.FullResolutionJitterWidth - higher values mean less jittering (it gets wider) but more visible noise from the indirect lighting. 1 should be default. r.Lumen.ScreenProbeGather.DownsampleFactor - lower values mean more probes are used to collect light for the scene, which increases overall lighting precision/quality and reduces noise, but for a high cost in performance, default is 16 and should only be changed if absolutely necessary. r.Lumen.ScreenProbeGather.SpatialFilterMaxRadianceHitAngle - gives some control over ambient occlusion (in my opinion, but I don't really know, what it does). Higher values for sharper and (I find more precise looking) ambient occlusion. I suggest to think in degrees from 0 to 90. r.Lumen.ScreenProbeGather.SpatialFilterNumPasses - how good the jittering is filtered, higher values give smoother lighting results.
With UE5 finally released, I've noticed a lot of users are struggling with some wonky shadows in the engine. This video helps shed a bit of light on why that is, and how to fix these problems. We have three solutions. One simple one, one with a console variable, and a third that is more of a last resort type of fix. Console Variable for solving buggy shadows: r.Raytracing.Shadows.EnableTwoSidedGeometry 0 Join this channel to get access to perks: 🤍 - Timestamps: 00:00 - Intro 00:23 - Solution #1 01:02 - Virtual Shadowmaps vs. Raytraced Shadows 01:36 - Solution #2 03:12 - Solution #3 05:11 - Recap 05:33 - How Nanite works with raytracing 06:33 - Outro & Thanks -Cameras and Gear Used To Film This Video - DISCLAIMER: This video/description contains affiliate links, which means that if you click on one of the product links, I’ll receive a small commission. As an Amazon Associate I earn from qualifying purchases. This helps support the channel and allows us to continue to make videos like this. Thank you for the support! My Streaming / Recording Setup (How this Video was Recorded) Nikon Z6II : 🤍 Sigma 35mm f/1.4 Art : 🤍 Deity S-Mic 2 Shotgun Microphone: 🤍 Aputure MC Pocket LED: 🤍 Godox LEDP 260c LED Panel: 🤍 Godox Parabolic Softbox : 🤍 Godox SL-60W Studio Light: 🤍
This week, Jaker will present the paper "Reflective Shadow Maps." This paper introduces an algorithm for interactive rendering of plausible indirect illumination. Paper Link: 🤍 Join our discord server: 🤍
This is my variation of imperfect shadow maps that uses compute shader tesselation approach as well as an advanced version of pull-push algorithm. All indirect lighting in this scene is done by ISM only, there's no ambient occlusion or ambient lighting term. Compute shader-based point tesselation is way more flexible than tesselation shader-based because it allows to produce unlimited numbers of point primitives per every triangle. My version of pull-push algorithm uses precise 3d arithmetics on ray-disk intersections instead of screenspace 2d ellipse approximations that allows to fill way larger holes with less artifacts. What's most important, depth and normals used by ISM are interpolated without numerical errors at all. Please turn annotations on for basic comments on shown debug info. The whole program is written on C and OpenGL 4.5 without any third-party wrappers.
Quick demonstration of variance shadow maps in webgl using GLGE. for more info see: 🤍
For Cascaded Shadow Mapping, the view frustum needs to be split into several sub frustums. In this video, the splits are performed based on fixed distances from the viewer and each split is rendered in a different color. At about mid-point of the clip, the frustums for the shadow projections are shown. Check out code samples and corresponding blog entry on 🤍
We present a method for interactive computation of indirect illumination in large and fully dynamic scenes based on approximate visibility queries. While the high-frequency nature of direct lighting requires accurate visibility, indirect illumination mostly consists of smooth gradations, which tend to mask errors due to incorrect visibility. We exploit this by approximating visibility for indirect illumination with imperfect shadow maps—low-resolution shadow maps rendered from a crude point-based representation of the scene. These are used in conjunction with a global illumination algorithm based on virtual point lights enabling indirect illumination of dynamic scenes at real-time frame rates. We demonstrate that imperfect shadow maps are a valid approximation to visibility, which makes the simulation of global illumination an order of magnitude faster than using accurate visibility.
In this video, I talk about how variance shadow mapping works, and how it relates to PCF shadow mapping
Cascaded Shadow Maps. Blending between cascades + stabilization.
In this video we look at solutions we found for more natural Shadow Maps in the UE5 Lumen render engine. We found the default UE5 shadow settings too soft and lacking believable contact. (NOTE: to rather see how to set up Virtual Shadow Maps watch our other video here... 🤍 ♣ Discord: 🤍 ♣ Our Website: 🤍 ♣ Instagram: 🤍 ♣ Twitter: 🤍 _Newman iMotion Crew_ Presenter & Editor: Daniel Newman Camera & Sound: Paul Newman _Special Thanks_ ♥ Unreal Engine: 🤍 ♥ Marvelous Designer: 🤍 ♥ Blender: 🤍 _Music Credits_ Lounge Logo: 🤍 #UnrealEngine #UE5 #Lumen #Quixel #QuixelBridge #Shadow #Animation #3D #3DAnimation #VirtualFilm #VirtualProduction
.svg){kind=small}
![Reflective Shadow Maps [2022-2-24]](https://i.ytimg.com/vi/LJQQdBsOYPM/mqdefault.jpg "Reflective Shadow Maps [2022-2-24]")
